![]() Following Ishihara’s work, some scholars have begun to focus on Kinoshita’s aesthetic obsession with non-normativity. One of these attempts includes film critic Ikuko Ishihara’s comprehensive analysis of masculinity and male vulnerability in Kinoshita’s films, which paved the way for examining expressions of non-normative gender, sexuality, and body in the post-war era. ![]() Ever since his passing in 1998, film scholars and critics in Japan have sought to reframe his career through the perspectives of war memory, family, and gender. The works of Japanese filmmaker Keisuke Kinoshita have long been underappreciated in Western academic circles, despite enjoying critical success in Japan and despite his enormous contribution to the film industry during the second golden age of Japanese cinema in the 1950s.
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